Broken Prism Studios

The Lonely Forest: A Comprehensive Look at Their Indie Rock Journey

Published by

Matthew Robinson

on

The name “The Lonely Forest” evokes images of quiet introspection, yet the music of this band from Anacortes, Washington, was anything but silent. Active between 2005 and 2014, The Lonely Forest carved a notable niche in the indie rock landscape with their passionate performances and heartfelt music.1 Their sound, a blend of rock, alternative rock, and indie rock, resonated with a dedicated fanbase and garnered critical acclaim, making their relatively short career all the more impactful.1 This report will delve into the complete story of The Lonely Forest, exploring their origins in the Pacific Northwest, the talented musicians who brought their music to life, the evolution of their distinctive sound, their discography, how their music was received by critics and fans, their dynamic live performances, the story behind their record labels and collaborations, the reasons that led to their hiatus, and the subsequent endeavors of the band members.

II. The Genesis in Anacortes: Where the Sound Took Root

Anacortes, Washington, a town nestled between the verdant embrace of ancient forests and the tranquil, forest-green waters of Puget Sound, provided the unique backdrop for the formation of The Lonely Forest.2 This setting, perched at the very edge of the continental US, fostered a distinctive atmosphere that undoubtedly seeped into the band’s creative DNA. While the town experienced a constant ebb and flow of visitors, its local DIY music community remained remarkably consistent and strong, embodying a spirit of independent and authentic artistic expression.2 This environment, characterized by its natural beauty and a resilient do-it-yourself ethos, likely played a crucial role in shaping The Lonely Forest’s initial sound and their approach to music.

The genesis of The Lonely Forest occurred in 2005, sparked by a fortuitous garage session.2 It was here that the introspective piano-pop inclinations of John Van Deusen found a powerful and compelling synergy with the more energetic and raw rock sensibilities of Braydn Krueger on drums, Tony Ruland on guitar, and Eric Sturgeon on bass.2 This initial blending of styles, where Van Deusen’s melodic piano-driven compositions met the more raucous energy of his bandmates, laid the foundation for the band’s distinctive sound. The early days were marked by youthful enthusiasm, with two of the band members still attending high school when they played their very first show.2 This youthful energy likely infused their early performances and recordings with a raw and unpolished yet undeniably passionate quality.

The Lonely Forest quickly gained recognition within their local music scene, most notably by winning the Experience Music Project (EMP) under-21 Sound Off! competition in 2006.4 This victory was a significant early achievement, providing the young band with crucial exposure and validation within the competitive Northwest music scene. Winning such a respected regional competition likely acted as a launchpad for their career, boosting their confidence and attracting early attention from local media outlets and individuals within the music industry. This early success set a positive trajectory for the band’s initial years, creating momentum that would propel them forward in their musical journey.

III. Meet the Musicians: The Heartbeat of the Forest

The consistent driving force behind The Lonely Forest throughout their active years was the quartet of talented musicians who formed its core.1

At the heart of the band was John Van Deusen, the central creative figure who served as the lead vocalist, guitarist, and keyboardist, primarily known for his piano playing.1 His talent and impact on the local scene were recognized in 2011 when he was selected as Seattle Weekly’s best male vocalist.1

Providing the crucial guitar work was Tony Ruland.1 His contributions were particularly significant in shaping the band’s more guitar-driven sound, which became prominent in their later albums. After The Lonely Forest’s hiatus, Ruland continued his musical pursuits with the project Soft Sleep.4

The energetic backbone of the band was drummer Braydn Krueger.1 His rhythmic foundation was essential to their sound, and like Ruland, he also became involved with Soft Sleep following The Lonely Forest’s hiatus.4

Completing the lineup was bassist Eric Sturgeon 1, who provided the foundational low-end that anchored The Lonely Forest’s music. Sturgeon also joined Ruland and Krueger in Soft Sleep, indicating a continued musical connection between the three.4

The stability of this lineup throughout their active period, from 2005 to 2014, suggests a strong internal dynamic and a shared artistic vision that allowed them to develop a cohesive and evolving sound. The subsequent collaboration of Ruland, Krueger, and Sturgeon in Soft Sleep further underscores the deep-rooted musical connections and friendships formed within The Lonely Forest.

A significant event in the band’s early history was the temporary departure of guitarist Tony Ruland shortly after the release of their debut EP, Regicide, in late 2006.4 This absence likely led to an initial shift in the band’s sound, potentially placing a greater emphasis on John Van Deusen’s piano playing.10 However, this change was not permanent, as Ruland returned to the band in 2008.4 His return was undoubtedly crucial, marking the re-emergence of the band’s more guitar-centric elements and solidifying the lineup that would define their most well-known work. This period of flux in the band’s early years might have contributed to their adaptability and resilience, ultimately shaping their distinctive musical identity.

IV. A Soundscape of the Pacific Northwest: Defining the Forest’s Music

The Lonely Forest’s musical identity was primarily rooted in the genres of indie rock, alternative rock, and rock.1 However, their sonic tapestry was woven with threads of other influences, creating a nuanced and engaging sound. They possessed a knack for crafting pop-infused melodies that made many of their songs particularly catchy and accessible.1 Moreover, an undercurrent of emo sensibility, especially in their earlier material, added a layer of emotional rawness and depth that resonated with listeners.6 This ability to blend these various elements contributed to their broad appeal within the indie music scene.

Over their career, The Lonely Forest’s sound underwent a noticeable evolution. Their initial compositions were often characterized by a strong piano-driven element, particularly evident in their early work and their debut album, Nuclear Winter.2 As they progressed, their sound gradually shifted towards a more guitar-dominated indie rock style, a defining characteristic of their critically acclaimed album Arrows and their subsequent releases.23 In their final album, Adding Up the Wasted Hours, the band subtly incorporated synthesizers and more atmospheric textures, indicating a continued willingness to experiment and expand their sonic palette.26 This evolution suggests a band that was not afraid to explore new sonic territories and adapt their sound over time, possibly influenced by changing musical tastes or internal creative drives.

The core instrumentation of The Lonely Forest consisted of John Van Deusen’s prominent vocals and versatile guitar and keyboard work, Tony Ruland’s driving guitars, Eric Sturgeon’s foundational bass lines, and Braydn Krueger’s energetic drumming.1 A key element of their sound was John Van Deusen’s distinctive vocal style, often described as soaring and passionate 2, with a reedy quality that sometimes reached into a memorable falsetto.23 His delivery was consistently marked by an emotionally gripping earnestness that resonated deeply with listeners.4 This unique vocal timbre and passionate delivery were undoubtedly a defining characteristic of The Lonely Forest’s identity.

Lyrically, The Lonely Forest explored a range of themes that often resonated with their audience on a personal level. Recurring motifs included spiritual longing and introspective reflections on life, doubt, and faith.2 They also delved into the complexities of love and relationships with honesty and poignancy, encompassing both joyful and heartbreaking experiences.24 Furthermore, their strong connection to their Pacific Northwest origins often manifested in their lyrics, with references to the landscapes and spirit of their home region.5 In their later work, their lyrics were noted to have become somewhat more ambiguous, adding another layer of interpretation for listeners.33 The depth and sincerity of these lyrical themes were a key aspect of their songwriting, allowing for a profound connection with their fanbase.

V. The Discography: A Journey Through Sound

The Lonely Forest built a solid discography over their career, consisting of four studio albums and three EPs.

Their debut album, Nuclear Winter, was released on August 2, 2007.34 Initially self-released 1, it was later re-released by Trans Records.36 This ambitious debut was an indie rock concept album that delved into themes of apocalypse and space travel.10 Some early listeners even described it as a piano-driven rock opera, highlighting John Van Deusen’s early compositional style.15 The album garnered significant support from their local Seattle radio station, KEXP, indicating an early connection with their regional audience.10

Their second album, ***We Sing The Body Electric!***, followed on April 21, 2009.16 It was released through Burning Building Recordings.1 This album marked a noticeable shift in their sound towards more accessible and realized pop songs, with the band consciously moving away from the more experimental sounds of their earlier work.1 It showcased their growing talent for crafting memorable pop hooks and led some to believe they were on the verge of becoming a breakout act from Seattle.6

Arrows, their major label debut, arrived on March 22, 2011.2 It was released through Trans Records/Atlantic Records 1 and was produced by the esteemed Chris Walla of Death Cab for Cutie.2 This album represented a significant step towards a more guitar-driven indie rock sound while still retaining their pop sensibilities.23 It received widespread critical acclaim from outlets like KEXP, NPR, and Amazon 1 and featured the notable single “Turn Off This Song and Go Outside”.14

Their final studio album, Adding Up the Wasted Hours, was released on October 15, 2013.3 It was released through Trans Records/Chop Shop Records/Republic Records 1 and was again produced by Chris Walla, this time with the addition of Karl Blau.3 Lyrically, the album was described as more mature and ambiguous, exploring themes of being a touring rock band and more personal reflections.26 It also saw the band incorporating more prominent bass lines and even some electronic synth lines, showcasing a continued evolution in their sound.26

In addition to their studio albums, The Lonely Forest released three EPs. Their debut EP, Regicide, came out in September 2006.1 It was self-released 1 and notably produced by Seattle legend Jack Endino.1 This early release captured the band’s raw energy and initial sound. The second EP, ***The Lonely Forest E.P.***, was released on September 14, 2010 4 through Trans Records.1 This five-song EP marked their first release on Chris Walla’s label and was produced and engineered by Walla himself.1 The earliest EP in their discography was John Van Deusen & The Lonely Forest, released in 2006 35 on the Blue Tree (2) label.35 This EP predates Regicide and offers a glimpse into the band’s very early sound.

The Lonely Forest also released several singles throughout their career, including “Turn Off This Song and Go Outside” (September 4, 2010) 14 and “(I Am) the Love Skeptic” (September 4, 2010) 14, both from the album Arrows. “We Sing in Time” was released in 2009 and also appeared on Arrows.1 From their final album, Adding Up the Wasted Hours, they released “Warm/Happy” and “Fire-Breather” in 2013.3

TitleTypeRelease DateLabel(s)
Nuclear WinterAlbumAugust 2, 2007Self-released, Trans Records
We Sing The Body Electric!AlbumApril 21, 2009Burning Building Recordings
ArrowsAlbumMarch 22, 2011Trans Records/Atlantic Records
Adding Up the Wasted HoursAlbumOctober 15, 2013Trans Records/Chop Shop Records/Republic Records
RegicideEPSeptember 2006Self-released
The Lonely Forest E.P.EPSeptember 14, 2010Trans Records
John Van Deusen & The Lonely ForestEP2006Blue Tree (2)
Turn Off This Song and Go OutsideSingleSeptember 4, 2010Trans Records/Atlantic Records (as part of Arrows)
We Sing in TimeSingle2009Burning Building Recordings (as part of We Sing…)
(I Am) the Love SkepticSingleSeptember 4, 2010Trans Records/Atlantic Records (as part of Arrows)
Warm/HappySingle2013Trans Records/Chop Shop Records/Republic Records
Fire-BreatherSingle2013Trans Records/Chop Shop Records/Republic Records

VI. Critical Acclaim and Fan Reception: Voices from Beyond the Forest

The Lonely Forest generally received positive reviews from critics throughout their career, with Arrows and Adding Up the Wasted Hours often cited as standout albums.1 They also garnered significant support from influential music platforms such as KEXP 1 and NPR 1, indicating their resonance within both regional and national indie rock circles.

Critics described Arrows as an “eclectic mix of indie rock and pop” 23, praising its increased focus on guitar work and its overall pop sensibility.23 One reviewer noted the album’s potential to reach a national audience.29 Comparisons were drawn between John Van Deusen’s vocal style and artists like Justin Pierre (of Motion City Soundtrack), while the band’s overall sound was likened to influential groups such as U2 and R.E.M..23 The album’s critical success was further solidified by its inclusion in Amazon’s list of the “100 Best Albums of 2011”.14

Adding Up the Wasted Hours was largely seen as a strong and natural progression from Arrows.26 John Van Deusen’s evolving vocal delivery was praised as stronger and more relaxed, and his lyrics continued to be noted for their poignancy.26 Critics also observed the album’s blend of indie rock with a more noticeable presence of synthesizers.27 One review highlighted the band’s newfound songwriting freedom and willingness to experiment on this release 28, while another noted the recurring theme of their experiences as a touring rock band.26

Earlier in their career, with the release of We Sing The Body Electric!, critics recognized the band’s significant step towards more accessible and “unforgettable pop songs” 6, with some even suggesting they were “poised to be one of Seattle’s next breakout acts”.6 One reviewer noted a nostalgic “90’s nostalgia and quirkiness” in their sound.15 Their debut album, Nuclear Winter, was described as an ambitious “indie rock concept album revolving around apocalypse and space travel”.10 Some early listeners characterized it as a “Van Deusen/piano-driven rock opera”.15 This early effort received crucial support from Seattle’s KEXP.10

Beyond critical acclaim, The Lonely Forest also cultivated a passionate and dedicated fanbase. Fans frequently praised their energetic and captivating live performances.4 John Van Deusen’s distinctive voice held a deep emotional resonance for many listeners.4 The band’s indefinite hiatus in 2014 was met with sadness and disappointment by their fans, highlighting the lasting impact of their music.4

VII. The Live Experience: Energy on Stage

The Lonely Forest built a strong reputation for their high-energy and captivating live shows.4 One memorable description compared their drummer, Braydn Krueger, to Animal from The Muppets, vividly illustrating the raw and enthusiastic energy he brought to their performances.32 The band’s dynamic stage presence was further exemplified by instances such as bassist Eric Sturgeon briefly scaling the drum-set 32 and frontman John Van Deusen’s engaging and passionate movements on stage.5 These energetic performances were undoubtedly a significant factor in building their dedicated fanbase, particularly within the Northwest music scene.

Early in their career, The Lonely Forest demonstrated a strong commitment to touring, relentlessly gigging around the Northwest in their formative years.2 This dedication helped them establish a solid regional following. As their popularity grew, they earned opportunities to tour with more established national acts such as Death Cab for Cutie and Portugal. The Man.19 These tours were crucial in expanding their reach and introducing their music to wider audiences across the country.

The Lonely Forest also made notable appearances at prominent music festivals. Their festival history includes performances at Bonnaroo in 2012, Sasquatch in 2010 and 2014, and Bumbershoot in 2006, 2009, 2011, and 2014.1 Playing at such renowned festivals exposed their music to diverse and enthusiastic audiences, further solidifying their status within the indie music scene.

Among their notable performances, The Lonely Forest made their national television debut on Jimmy Kimmel Live!.1 This was a significant milestone that brought their music to a much broader audience. Fittingly, their final performance as a band took place at Bumbershoot in 2014.4 This festival held a special significance for the band, having played there multiple times throughout their career, and served as a poignant farewell to their dedicated local supporters.

VIII. Behind the Scenes: Labels and Collaborations

The Lonely Forest navigated the music industry through partnerships with several record labels. Their second album, We Sing The Body Electric!, was released by the independent label Burning Building Recordings.1 A pivotal relationship was formed with Trans Records, the label founded by Chris Walla of Death Cab for Cutie.2 Trans Records released The Lonely Forest E.P., Arrows, and Adding Up the Wasted Hours.1 Their final album, Adding Up the Wasted Hours, was also released through Chop Shop Records 1 and Republic Records.52 Notably, their album Arrows saw a release through the major label Atlantic Records 1, although the band was later dropped by the label in 2011.9

A particularly significant aspect of The Lonely Forest’s career was their close collaboration with Chris Walla.2 Walla not only signed them to Trans Records but also played a vital role in shaping their sound by producing and engineering The Lonely Forest E.P. and Arrows, and by producing Adding Up the Wasted Hours.1 The relationship between Walla and the band was described as positive and supportive, with Walla even being likened to a “long-lost big brother”.32 Their final album also saw a collaboration with Karl Blau, another respected musician from the Pacific Northwest, who co-produced Adding Up the Wasted Hours alongside Chris Walla.3

IX. The Hiatus and Beyond: What Became of the Forest

In 2014, The Lonely Forest announced an indefinite hiatus.1 John Van Deusen explained that after years of touring, the band had reached a point where they felt the need to explore new directions and focus on personal lives.9 He also mentioned the challenges and frustrations they encountered with the release of their final album, Adding Up the Wasted Hours.9 Ultimately, the decision came down to a collective feeling that it was time for a break from the demanding lifestyle of being in a touring band.9

Since the hiatus, the members of The Lonely Forest have continued to pursue their musical passions in various ways. John Van Deusen has maintained a prolific solo career, releasing several albums.4 Notably, his I Am Origami album series featured many songs that were originally intended for The Lonely Forest but never made it onto their records.31 Van Deusen also showcased his versatility by becoming involved in the hardcore punk band BUFFET.19 Meanwhile, Tony Ruland, Braydn Krueger, and Eric Sturgeon continued their musical collaboration by forming the band Soft Sleep.4

X. Legacy and Lasting Impression: The Forest’s Echo

The Lonely Forest made a significant contribution to the indie rock genre, particularly within the vibrant music scene of the Pacific Northwest.2 Their ability to craft emotionally resonant and anthemic songs allowed them to connect with a wide audience, both regionally and nationally. Their early success in winning EMP’s Sound Off! and the consistent support they received from KEXP underscore their importance within the Northwest music community.

Despite their relatively short active period, The Lonely Forest forged a deep and emotional connection with their fans.4 The sadness and sense of loss that followed their indefinite hiatus speak volumes about the impact and sincerity of their artistic output. The enduring affection of their fanbase serves as a testament to the meaningful and memorable music they created, a catalog that continues to resonate even in their absence.

XI. Conclusion: A Pause in the Path

The musical journey of The Lonely Forest, from their formation in the close-knit community of Anacortes to their rise within the indie rock scene, is a testament to their passion, talent, and dedication. Through four compelling studio albums and three distinct EPs, they crafted a sound that was both familiar and uniquely their own, marked by John Van Deusen’s soaring vocals, Tony Ruland’s expressive guitar work, the steady rhythm section of Eric Sturgeon and Braydn Krueger, and lyrics that explored themes of longing, love, and self-discovery. Their close collaboration with Chris Walla further shaped their sonic identity and helped propel them to national recognition. While their hiatus in 2014 marked a pause in their path as The Lonely Forest, the individual members have continued to explore their musical endeavors, leaving behind a legacy of heartfelt and resonant indie rock that continues to echo in the ears of their devoted fans.

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