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The Heligoats – An Artist Deep Dive

Published by

Matthew Robinson

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The Heligoats present a captivating and unconventional presence in the indie rock landscape. Often described as a psychedelic two-step indie rock group 1, the project, primarily helmed by American musician Chris Otepka, has garnered attention for its unique sound and imaginative approach to songwriting 2. The moniker itself, while seemingly unusual for a solo guitarist, aptly reflects the sideways ideas and observations that permeate Otepka’s musical creations 3. This distinctive character has led many to describe the project as “odd” but in a way that underscores its originality and departure from typical indie rock conventions 5. The recurring use of such descriptions highlights the band’s commitment to a singular artistic vision. Initially emerging as a group from Illinois 1, The Heligoats evolved to become more centered around Otepka 2, a transition that underscores his central role in shaping the band’s identity. The emphasis on Otepka’s mastery of whimsy and songwriting, coupled with the “sideways ideas and observations” found within the music, suggests that the lyrical content and unique perspective are fundamental to the appeal of The Heligoats, extending beyond mere genre classification 6.

The genesis of The Heligoats is a story woven with both imaginative whimsy and grounded musical ambition. Chris Otepka’s initial foray into songwriting began under The Heligoats banner in 1998, even before he went on to form the successful touring band Troubled Hubble 3. Interestingly, the name “Heligoats” itself originated from characters in a comic book Otepka conceived, featuring a movie theater staffed by peculiar animal hybrids, specifically half-goat and half-helicopter creatures 10. This playful origin hints at the imaginative spirit that infuses the band’s music. While the name had this fantastical start, the musical project took root in a more conventional setting: a one-night jam session among friends in Chicago. This initial spark unexpectedly blossomed into a prolific journey marked by numerous shows and recordings 10. The timeline reveals that Otepka consistently nurtured The Heligoats project, even during the active years of Troubled Hubble (approximately 1999-2005), using lulls in the latter’s schedule to continue writing for his original outlet 3. This dedication underscores the importance of The Heligoats as a continuous creative endeavor for Otepka.

Throughout their history, The Heligoats have marked several significant milestones. Early on, Otepka produced recordings such as Manitoba, Mountains, and Sapling Sessions 3. Following the conclusion of Troubled Hubble’s touring activities, Otepka shifted his primary focus to The Heligoats, culminating in the release of The End of All-Purpose 3. Notably, Troubled Hubble itself achieved considerable success, performing over 400 shows across the United States and Canada and cultivating a substantial following, particularly among college students 11. This prior touring experience likely informed Otepka’s approach to live performances with The Heligoats, which also boasts a history of extensive touring. For a significant period of six years, Otepka maintained a long-distance collaboration with other band members, residing in Oregon while they were based in Chicago. Despite this geographical challenge, they continued to record and tour on an annual basis, demonstrating a strong commitment to the project 10. A particularly noteworthy achievement for The Heligoats was their performance as the 100th guest on NPR’s Tiny Desk Concert in 2010 9, a recognition that brought their unique sound to a national audience. Their consistent touring and recording efforts have garnered praise from various publications and media outlets, including NPR and PunkNews.org, further solidifying their presence in the indie music scene 5.

At the heart of The Heligoats lies the creative force of Chris Otepka. He serves as the primary songwriter, vocalist, and guitarist, shaping the band’s distinctive sound and lyrical direction 6. The project has been Otepka’s primary songwriting outlet since its inception 3. His background as the lead singer and songwriter for Troubled Hubble provides a rich context for his current work, showcasing his long-standing dedication to crafting unique musical narratives 7. The compositions that emerge from Otepka’s creative mind are often described as wonderfully weird and diverse, reflecting his endlessly curious nature 13. His approach to lyrics and melodies is unconventional, often defying typical radio formats and delving into surrealistic streams of consciousness alongside whimsical and heartfelt tales 5. This distinctive style has become a hallmark of The Heligoats, setting them apart within the indie music landscape.

The musical style of The Heligoats is a captivating blend of various indie subgenres, often defying easy categorization. While initially described as a psychedelic two-step indie rock group 1, their sound has also been characterized as indie/rock 15, psychedelic/indie rock 2, and even “Indie Space Folk” 16. This latter term, used to describe their album Back to The Ache, highlights the atmospheric waves of distortion, electro-birdcall synth noises, and sparse piano accompaniment that contribute to their unique sonic landscape 16. Hailing from Bellingham, Washington 15, The Heligoats skillfully weave acoustic guitar into their songs alongside electric guitars, creating a dynamic and textured sound 18. This blending of instrumentation results in a sound that can be both intimate and expansive, ranging from rustic alt-folk tunes to layered indie-rock orchestra epics with psychedelic and spacey undertones 13. Some reviewers have even described their overall sound as a blend of folk, rock, and pop, pointing to the accessible yet unconventional nature of their music 19.

Lyrical themes and songwriting are integral to the identity of The Heligoats. Chris Otepka’s compositions are frequently lauded for their wonderfully weird and diverse nature 13. His lyrics are often filled with sideways ideas and observations, stemming from a quirky and imaginative perspective that explores the workings of the human body in unconventional ways 3. NPR has praised his lyrical narratives as “wise, wry observations on human emotions, science,” highlighting his endlessly curious mind 13. Despite the often surreal or unusual subject matter, the lyrics are described as honest, powerful, and restrained, colored with interesting rhyme structures and phrasing 5. Otepka’s ability to craft simple yet brilliant lyrics that resonate deeply with listeners is a recurring theme in discussions of his work 18. His inclination towards storytelling and wordplay, perhaps hinted at by his secret desire to be a rapper 5, further enriches the lyrical tapestry of The Heligoats’ music.

To provide context for their unique sound, The Heligoats have been compared to a variety of other notable artists. SPIN Magazine has likened Chris Otepka’s vocal style to that of Doug Martsch from Built To Spill, as well as John Darnielle of The Mountain Goats, noting his sincere and nasal delivery 13. Reviewers of the album Back to The Ache have drawn parallels to The Villagers in vocal style and acoustic base, and have also compared Otepka’s voice to Colin Meloy of The Decemberists and even Thom Yorke of Radiohead 17. Furthermore, comparisons have been made to Fleet Foxes, Neutral Milk Hotel, and Conor Oberst’s Bright Eyes, suggesting a broader appeal within the indie folk and alternative scenes 21. These comparisons, while not defining The Heligoats’ sound entirely, offer valuable reference points for understanding the various influences and sonic textures present in their music.

While The Heligoats is primarily the creative vehicle of Chris Otepka, the project has involved various musicians over the years, particularly in their touring and recording endeavors. For the past few years, the touring lineup has consistently featured Otepka on vocals and guitar, alongside guitarist Steve Mitchell, bassist Dave James, and drummer Moo Haygood 10. This established quartet brings Otepka’s compositions to life on stage. In the studio, different albums have seen collaborations with a range of talented musicians. For instance, the recording of Back to the Ache included Steven Mitchell on guitar and piano, Nick Lombardo on synth and piano, David James on bass, and Nate Lanthrum on drums 5. The involvement of Lanthrum, who previously collaborated with Otepka in Troubled Hubble, was particularly exciting for fans of their earlier work 5. The album The End Of All Purpose featured an even wider array of contributors, including Kenny Aronoff, Michael Levin, Kara Eubanks, and many others 20. This history of diverse collaborations highlights Otepka’s openness to working with other musicians and exploring different sonic palettes. While often functioning as a solo project in its core songwriting, The Heligoats embrace a collaborative spirit in bringing their music to a wider audience through both recordings and live performances 13.

The musical journey of Chris Otepka extends beyond The Heligoats to include his significant involvement with the band Troubled Hubble. Formed with other musicians from DeKalb, Illinois, Troubled Hubble became a successful touring act between 1999 and 2005, earning a dedicated following 3. The band, which featured Otepka on vocals and guitar, alongside Nate Lanthrum on drums, Andrew Lanthrum on bass, and Josh Miller on guitar and vocals, primarily played indie rock 8. Their extensive touring across the US and Canada helped them cultivate a strong fanbase 11. Even after Troubled Hubble’s initial split, its legacy continued, with former members Nate and Andrew Lanthrum forming the band Kid, You’ll Move Mountains 11. Interestingly, Troubled Hubble is listed as having active years from 1998-2005 and then again from 2015-present 11, suggesting a possible reunion or continued activity. Chris Otepka’s consistent activity with The Heligoats throughout this period underscores its importance as a constant in his musical career 11. The history of Troubled Hubble provides valuable context for understanding Otepka’s musical background and his ability to connect with audiences through his songwriting and performances.

The discography of The Heligoats showcases a steady output of music, reflecting Chris Otepka’s consistent creative drive. While early recordings like Heated Arguments, Mountains, and Sapling Sessions laid the foundation 3, the band has since released a more formally recognized collection of works. By the time of some articles, Otepka mentioned having four albums out 8. A more comprehensive list, gleaned from various sources, includes the End of All Purpose EP released in 2008 9, followed by the album Goodness Gracious in 2010 9. In 2011, they released a split with Sam Humans titled Live Free & Let Loose 9. The single “Loose Ends” appeared in 2012 23. The album Back to the Ache was released in 2013 23, followed by Back to the Lake in 2016 10. More recently, they released the single “Heligoats & the Glass Band” in 2020 23, and the Broken Flight (Original Motion Picture Soundtrack) in 2024 23. This soundtrack album, released on October 4, 2024 27, indicates a potential new direction for the project.

TitleRelease DateTypeNotes
Mountains April 5, 2000EPMentioned as an early recording 3 Many tracks became Troubled Hubble songs
ManitobaJul 31, 2001AlbumMentioned as an early recording 3 Many tracks became Troubled Hubble songs
S/TMay 6, 2004AlbumMany tracks became Troubled Hubble songs
Sapling SessionsMarch 4, 2005AlbumMentioned as an early recording 3 Many tracks became Troubled Hubble songs
SEEDS I2008DemosSeeds I features demo versions of songs found on The End of All Purpose and Goodness Gracious.
End of All PurposeOctober 8, 2008EPReleased in 2008 9, vinyl release in 2012 9, listed on Apple Music 23 Features: Kara Eubanks, Kenny Aronoff, Eric Carlson, Tom Lynch, Tyson Markely, Dave Urich, and Andy Baker
Blip TapeOctober 9, 2009EPFeatures: Kevin Nelson, Carly James, Robert Sarazin Blake, Joel Ricci, Sam Humans, Thomas Deakin, Chris Otepka, Bruce Shaw
Goodness GraciousOctober 10, 2010AlbumReleased in 2010 9
Live Free & Let Loose (with Sam Humans)December 11, 2011Split EPReleased in 2011 9
The Heligoats – Live from the Banana StandOctober 2, 2012Live AlbumRecorded before a live audience September 25th, 2010 at Banana Stand in Portland, OR.
Loose Ends – EPOctober 11, 2012EPWritten 2006
Recorded 2007
Mixed 2008
Mastered 2011
Released 2012 23
Back to the AcheMarch 19, 2013AlbumReleased in 2013 23
The Heligoats: The Sumner Knight Series (The Archives)June 6, 2013Live AlbumThe proceeds from this project are divided equally between the band, the Chapel Fund, and Keene Music Festival
Eef Barzelay / Chris Otepka SplitJanuary 1, 2014Split EPEef has two personally written tracks and Chris and Anna have an 8+ minute song about health care. 
Back to the LakeApril 15, 2016AlbumReleased April 15, 2016 10, listed on Apple Music 25
SEED IINovember 1, 2016Demosdemo versions of songs found on, “Goodness Gracious,” “Back to the Ache,” , “Back to the Lake,”
BSNIDESNovember 1, 2016EPClem Snide Covers, by fans for fans.
Heligoats & the Glass Band – EPJanuary 26, 2020EPReleased in 2020 23
Broken Flight (Original Motion Picture Soundtrack)October 4, 2024SoundtrackReleased October 4, 2024 23

The Heligoats have garnered positive attention from various press outlets. NPR has described their music as “oddly befitting” for someone with “sideways ideas and observations” 3. Daytrotter lauded Chris Otepka as quirky and imaginative, particularly in his lyrical exploration of the human body 3. Pure Honey Magazine drew an intriguing comparison between their live presence and Beyoncé’s ability to command attention 10. SPIN Magazine has highlighted Otepka’s vocal similarities to Doug Martsch of Built To Spill and John Darnielle of The Mountain Goats 13. NPR further praised his lyrical narratives as “wise, wry observations on human emotions, science” 13. Reviews of their album Back to The Ache have been particularly insightful. Oxford Student characterized the album as “Indie Space Folk,” commending the lyrics and inventive vocal phrasing, while also noting the positive contribution of drummer Nate Lanthrum 16. The Aquarian emphasized the album’s blend of acoustic and electric guitars, Otepka’s distinct vocal style, and the overall energy and calming atmosphere 18. Sputnikmusic also used the term “Indie Space Folk” and compared Otepka’s vocals to The Villagers, Colin Meloy (The Decemberists), and Thom Yorke, while praising the lyrics but offering a more nuanced critique of some tracks 17. Beyond these specific reviews, The Heligoats have received praise from numerous other publications, including PunkNews.org 5. NPR’s description of Otepka as a “lone guy with an acoustic guitar” who provides fans with “a lot of ideas to unpack” encapsulates the critical appreciation for his unique approach 6. Even Amazon customer reviews describe their music as “smart, moving, warm and catchy” with “superior writing skills” 19. Their performance for NPR’s Tiny Desk Concert further underscores their critical recognition 12. While some reviews offer constructive criticism, the overall press coverage indicates a generally positive reception and appreciation for The Heligoats’ distinctive musical identity.

Visual assets associated with The Heligoats offer further insight into their creative world. Chris Otepka has been known to bring stickers and pens to shows, suggesting a hands-on approach to fan engagement and promotion 28. A photo essay featuring Otepka alongside Eef Barzelay of Clem Snide, captured by photographer Victoria VanBruinisse, provides a visual glimpse into their collaborative and touring activities 29. While the images in the essay are low resolution, they hint at the band’s visual aesthetic. Their Discogs page features at least one promotional image and showcases the cover art for their album Back To The Ache, which is noted to be a play on an old poster 2. HIP Video Promo has highlighted their video clip for the song “Drai Zich,” offering a more dynamic visual representation of their music 21. Links to their Bandcamp, Facebook, and Instagram pages, often found in their promotional materials, likely contain further visual content, including press photos and behind-the-scenes glimpses 14. While high-resolution press photos are not immediately apparent in the provided snippets, contacting the aforementioned photographer or exploring their official online channels would be avenues to pursue for such materials 29. The available visuals, ranging from merchandise to music videos and promotional images, contribute to the overall presentation and branding of The Heligoats.

The Heligoats have a long and consistent history of live performances, demonstrating their dedication to connecting with audiences in person. Chris Otepka has been touring for over two decades, both as The Heligoats and with his previous band Troubled Hubble 4. Their past performance history includes setlists from venues in California and Ohio between 2012 and 2015 31. More recently, Otepka embarked on a 2024 Winter Tour, featuring a retrospective of his work and even debuting unreleased tracks, encouraging fans to support him on Bandcamp 32. Their touring schedule extends into the future, with a show in New York in August 2024 14 and several dates in the Pacific Northwest in April 2025, including performances in Hood River and Silverton, Oregon 34. They also have upcoming concerts in Nebraska, Colorado, and Idaho in March and April 2025 38. Notably, The Heligoats have been frequent performers at the Treefort Music Fest in Boise, Idaho, with appearances in 2021, 2022, and 2023, and another scheduled for March 2025 31. This recurring presence at the festival highlights a connection with its audience. Beyond traditional venues, The Heligoats have also adapted to the changing landscape of live music, as evidenced by their participation in the “Heligoats DO DIVISION VIRTUAL FEST FULL SET” 41. Snippets containing lyrics and stage banter from live performances further illustrate their engaging presence on stage 12.

While direct contact and booking information for The Heligoats are not explicitly detailed in the provided material, several avenues for connection exist. Links to their official social media profiles, including Facebook and Instagram, are readily available 14. Their Bandcamp page, which often includes a merchandise section, serves as another direct point of contact for fans 4. The Discogs page for The Heligoats also provides links to their official website, Bandcamp, and even a MySpace page 2. For press inquiries related to their appearance at Treefort Music Fest, a contact email is provided 7. While a specific booking agent is not mentioned, the FATA booking agency, which has a history of working with similar indie artists, could be a potential point of contact worth investigating 43. For specific venues where they are scheduled to perform, such as The Ruins in Hood River, Oregon, contact information for the venue is available 36. These various online and venue-specific contacts offer pathways for individuals and organizations looking to connect with The Heligoats.

The music of The Heligoats is widely accessible through various online streaming platforms, ensuring that their unique sound can reach a broad audience. They have an official YouTube Playlist, offering a curated collection of their music and videos 44. For the song “Drai Zich,” direct links to their presence on Spotify, Apple Music, Amazon, Bandcamp, Deezer, SoundCloud, Tidal, and YouTube Music are available 45. Their albums and singles, including Goodness Gracious, Back to the Ache, The End of All Purpose, Back to the Lake, and Broken Flight (Original Motion Picture Soundtrack), are all listed on Apple Music with direct links to their artist page 23. Their Bandcamp page provides a direct avenue for listening to and purchasing their music 4. While a direct Spotify artist page link isn’t explicitly provided in all sources, their presence on the platform is confirmed, and searching for “The Heligoats” on Spotify is recommended 3. On SoundCloud, there appears to be an official profile listed as “theheligoatsofficial,” as well as other playlists featuring their music, such as one titled “the heligoats” 46. This widespread availability across major streaming services underscores The Heligoats’ commitment to making their music easily discoverable and enjoyable for listeners worldwide.

Conclusions:

The Heligoats, spearheaded by the distinctive songwriting and performance style of Chris Otepka, occupy a unique and compelling space within the indie rock genre. Their music, often described as “Indie Space Folk” with psychedelic and folk undertones, is characterized by imaginative lyrics that explore themes of human emotion and science with a quirky and often surreal perspective. Otepka’s background with the well-regarded touring band Troubled Hubble provides a solid foundation for The Heligoats’ continued activity, which includes consistent touring both domestically and internationally, as well as a steady release of albums, EPs, and singles. The band has garnered positive attention from notable press outlets such as NPR, PASTE. and SPIN Magazine, highlighting the originality and depth of their musical creations. With a presence on all major music streaming platforms and active social media channels, The Heligoats are well-positioned to connect with both long-time fans and new listeners. Their history of extensive touring, coupled with their critically acclaimed discography, makes them a noteworthy act for festivals, venues, and media outlets seeking unique and engaging musical talent.

Support The Heligoats

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Works cited

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