Broken Prism Studios

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Stephen Malkmus and The Jicks: a cornerstone of the indie rock scene.

Published by

Matthew Robinson

on

July 2018

Stephen Malkmus stands as a pivotal figure in the landscape of indie rock, his name synonymous with the genre’s evolution and enduring appeal. Best known as the principal songwriter, vocalist, and guitarist for the highly influential band Pavement, Malkmus carved out a distinctive niche with his wry lyrics, unconventional guitar work, and a seemingly effortless cool that resonated with a generation.1 Following Pavement’s initial hiatus in 1999, Malkmus quickly embarked on a new musical chapter with Stephen Malkmus and the Jicks, a project that has since become his primary creative outlet and a significant force in the indie rock scene in its own right.5 This report aims to provide a comprehensive examination of Stephen Malkmus and the Jicks, delving into their formation, personnel, musical output, critical reception, live performances, key milestones, and the rich musical history that preceded their inception.

The genesis of Stephen Malkmus and the Jicks can be traced directly to the cessation of activity for Malkmus’s previous band, Pavement. Formed in 2000 in Portland, Oregon, United States, the Jicks emerged almost immediately after Pavement’s 1999 “hiatus” began.5 Pavement’s final performance in November 1999 at Brixton Academy in London, during which Malkmus famously quipped about the constraints of being in a band, signaled a shift in his artistic direction.17 The initial lineup of The Jicks featured Stephen Malkmus on vocals and guitar, Joanna Bolme on bass and vocals, and John Moen on drums, percussion, and vocals.5 Notably, the band’s first record, which had the working title “Swedish Reggae,” was ultimately released simply as Stephen Malkmus on February 13th, 2001, by Matador Records.1 The group made their official live debut at New York’s Bowery Ballroom just weeks before the album’s release.5 Around this pivotal time, Bob Nastanovich, who had served as Pavement’s auxiliary percussionist, took on the role of The Jicks’ manager, providing a sense of continuity from Malkmus’s previous project.5 Guitarist and keyboardist Mike Clark joined the lineup in 2001, solidifying the initial core of the band.5 Notably, some of the material featured on this debut album had been originally conceived as potential Pavement songs, underscoring the immediate creative energy Malkmus brought to his new endeavor.5 The swift formation of The Jicks and the continued involvement of Pavement’s management suggest Malkmus’s eagerness to pursue his artistic vision without delay. Having a collection of songs already in development likely facilitated this rapid transition, indicating a clear direction for his post-Pavement sound.

Stephen Malkmus and the Jicks have seen a few personnel changes over their career, with Stephen Malkmus and Joanna Bolme remaining the consistent core of the band since its inception.46 The current lineup features:

Member NameInstrumentsYears Active
Stephen MalkmusVocals, guitar2000–present
Joanna BolmeBass, vocals, synthesizer2000–present
Mike ClarkKeyboards, synthesizer, guitar2001–present
Jake MorrisDrums2011–present

Past members who have contributed to the band’s sound include:

Member NameInstrumentsYears Active
John MoenDrums, percussion, vocals2000–2005, 2005–2006
Joe PlummerDrums2005
Janet WeissDrums2006–2011

The consistent presence of Malkmus and Bolme highlights their enduring creative partnership, forming the backbone of the band’s musical identity. The drummer position, however, has experienced several transitions, each potentially influencing the band’s rhythmic dynamics. The inclusion of Janet Weiss, known for her powerful and energetic drumming with Quasi and Sleater-Kinney, brought a distinct intensity to the band’s sound during her tenure.11 Her departure in 2011 and the subsequent arrival of Jake Morris, formerly of Joggers, marked another shift in the band’s sonic landscape.11

Stephen Malkmus and the Jicks have amassed a significant discography, showcasing their evolution and diverse musical explorations. Their studio albums include:

TitleRelease Date
Stephen MalkmusFebruary 13, 2001
Pig Lib2003
Face the Truth2005
Real Emotional TrashMarch 4, 2008
Mirror TrafficAugust 23, 2011
Wig Out at JagbagsJanuary 7, 2014
Sparkle HardMay 18, 2018

In addition to their full-length albums, the band has released several EPs, including the Phantasies EP in 2001 1, the Dark Wave EP in 2003 (initially a bonus disc with Pig Lib) 1, the remix EP Kindling for the Master in 2006 1, and Cold Son in 2008.1 Their notable singles include “Discretion Grove” (2001) 1, “Jenny & the Ess-Dog” (2001) 1, “Jo Jo’s Jacket” (2001) 1, “Baby C’mon” (2005) 1, “Baltimore” (2008) 1, “Gardenia” (2008) 1, “Cold Son” (2008) 1, “Tigers” (2011) 1, “Senator” (2011) 1, “Stick Figures in Love” (2012) 1, the split single “Gorgeous Georgie” b/w “Wheels of Fire” with L.A. Guns (2012) 1, “Lariat” (2013) 1, “Middle America” (2018) 1, “Shiggy” (2018) 1, and “Refute” (2018).1 The band’s consistent output of studio albums demonstrates a steady creative rhythm, typically releasing new material every two to three years. The additional EPs and singles, often including bonus tracks and remixes, provide further insight into their diverse musical ideas and willingness to experiment.

The musical style of Stephen Malkmus and the Jicks is primarily rooted in indie rock.1 Their sound encompasses a range of subgenres, including alternative/indie rock, alternative singer/songwriter, chamber pop, lo-fi, noise rock, psychedelic rock, guitar pop, and slacker rock.3 A significant influence, particularly in their early work, is Malkmus’s previous band, Pavement, with echoes of their signature sound often discernible.1 Other notable influences cited by Malkmus include The Velvet Underground, Robert Pollard, Jimi Hendrix, Sonic Youth, The Fall, Television, Fleetwood Mac, Allman Brothers Band, Yo La Tengo, Neil Young, Can, Bert Jansch, Pentangle, Donovan, Nick Drake, The Groundhogs, Lobby Lloyd, Mad River, Coloured Balls, Yes, T. Rex, and The Eagles.1 Over time, the band’s sound has evolved, with early albums often featuring shorter, more direct “pop songs”.43 Later releases have seen a greater emphasis on extended, guitar-driven “jams” and more experimental song structures, reflecting a looser interplay between the musicians.14 Psychedelic influences have become more pronounced in their music.2 Malkmus has also explored electronic textures in albums like Groove Denied and returned to a more acoustic, folk-influenced sound in Traditional Techniques, demonstrating a willingness to venture beyond established indie rock conventions.1 The occasional use of Auto-Tune and Mellotron on albums like Sparkle Hard further illustrates Malkmus’s openness to experimentation and incorporating contemporary production techniques.3 This continuous exploration of different sonic landscapes has kept the band’s music dynamic and engaging over the years.

The critical reception of Stephen Malkmus and the Jicks’ albums has generally been positive, reflecting the band’s consistent quality and evolving sound. Their self-titled debut in 2001 garnered favorable reviews, with some critics drawing comparisons to the solo work of Tom Verlaine and Lou Reed.31 It also earned a spot at number 28 in The Village Voice’s Pazz & Jop critics’ poll for that year.31 Pig Lib in 2003 was also well-received, earning 4 out of 5 stars from Rolling Stone and an 8.0/10 from Pitchfork Media.14 Some reviewers noted a growing inclination towards more jam-oriented compositions on this album.35 Face the Truth in 2005 was met with widespread acclaim, with many critics observing a return to the spirit of Pavement’s Wowee Zowee.5 Real Emotional Trash in 2008 received generally positive feedback, with praise directed towards its extended instrumental passages and psychedelic undertones.1 2011’s Mirror Traffic, produced by Beck, also garnered generally positive reviews, with some critics highlighting a more focused and accessible quality compared to previous Jicks albums.1 Wig Out at Jagbags in 2014 received a more mixed response, with some finding it enjoyable but lacking significant new ground.1 Their most recent album, Sparkle Hard in 2018, was generally well-received, praised for its successful integration of familiar elements with newfound sonic textures and Malkmus’s consistently strong songwriting.1 The overall critical response indicates a band that has maintained a high level of artistry while continually exploring new sonic avenues.

Stephen Malkmus and the Jicks have a rich history of live performances, marked by both intimate club shows and appearances at major music festivals. Their official live debut took place at New York’s Bowery Ballroom shortly before the release of their first album.5 A significant early milestone was opening for Radiohead on their North American tour in 2003, exposing them to a wider audience.5 In 2004, the band curated an edition of the British All Tomorrow’s Parties festival, further solidifying their standing within the indie music community.14 While early in their career, The Jicks rarely performed songs from Malkmus’s Pavement catalog, since around 2012, they have shown a greater willingness to occasionally include one or two Pavement tracks in their sets, often to the delight of long-time fans.14 Notably, in 2012, Malkmus and the Jicks performed Can’s seminal album Ege Bamyasi in its entirety at the WEEK-END Festival in Cologne, Germany, a performance that was later released as a limited-edition live album, showcasing their appreciation for influential artists and their ability to tackle diverse material.1 The band has maintained an extensive touring schedule since their formation in 2000, consistently hitting the road in support of each album release.1 They have been frequent performers at various festivals worldwide.1 According to data from setlist.fm, some of their most frequently played songs in concert include “Stick Figures in Love,” “Jenny & the Ess-Dog,” “Houston Hades,” “Tigers,” “Cinnamon and Lesbians,” and “Senator,” indicating fan favorites and staples of their live shows.59 The band’s consistent touring underscores their dedication to performing and engaging with their audience, while the occasional inclusion of Pavement material serves as a nod to their history and the expectations of some fans.

The career of Stephen Malkmus and the Jicks has been marked by several significant events and milestones. Their formation in 2000, immediately following Pavement’s hiatus, set the stage for a new chapter in Malkmus’s musical journey.5 The band has released a total of seven studio albums, establishing a substantial body of work.1 Opening for Radiohead’s North American tour in 2003 was a significant moment that broadened their exposure.5 Their curation of the All Tomorrow’s Parties festival in 2004 further cemented their influence within the indie scene.14 The addition and subsequent departure of drummer Janet Weiss, a respected figure in indie rock, marked an important period in the band’s history.11 Recording their fifth album, Mirror Traffic, with renowned producer Beck in 2011 was another notable event.1 A significant milestone was reached when The Jicks’ discography surpassed that of Pavement, highlighting the longevity and importance of this project in Malkmus’s career.7 Outside of the band, Malkmus has also scored the soundtrack to the Netflix series Flaked, showcasing his versatility as a musician.1 He has also released solo albums in different genres, including the electronic Groove Denied and the folk-influenced Traditional Techniques, demonstrating his continued exploration of diverse musical styles.11 Collaborations with artists like Kim Gordon of Sonic Youth have also been notable moments in their career.3 These events underscore the band’s enduring presence and Malkmus’s continued creative drive within the indie rock landscape.

Before forming The Jicks, Stephen Malkmus had already established himself as a pivotal figure in indie rock through his work with Pavement.1 He co-founded Pavement with Scott Kannberg (Spiral Stairs) in the late 1980s after they both graduated from college.1 As the lead singer, primary songwriter, and guitarist, Malkmus was central to Pavement’s signature sound and their rise as leaders of the 1990s underground indie movement.1 During their initial run, Pavement released five critically acclaimed studio albums: Slanted and Enchanted, Crooked Rain, Crooked Rain, Wowee Zowee, Brighten the Corners, and Terror Twilight.1 The band went on hiatus in 1999, paving the way for Malkmus to form The Jicks.1 Pavement later reunited for successful tours in 2010, 2022, and 2023, demonstrating their enduring popularity and influence.1 Beyond Pavement, Malkmus was also involved in several other musical projects before The Jicks. He was a member of Silver Jews alongside David Berman and Bob Nastanovich, contributing to albums such as Starlite Walker and American Water.11 In 1998, he was part of The Crust Brothers, who released the album Marquee Mark.1 During his college years, Malkmus formed the lo-fi band Ectoslavia with David Berman and James McNew of Yo La Tengo.1 Additionally, in early 1999, he participated in a Sonic Youth side project called Kim’s Bedroom.1 Earlier in his musical journey, Malkmus played in high school punk bands such as Bag O Bones, The Straw Dogs, and Crisis Alert.1 This extensive and varied musical background laid a strong foundation for Malkmus’s subsequent work with The Jicks, shaping his distinctive songwriting style and guitar playing.

In conclusion, Stephen Malkmus and the Jicks have established themselves as a significant and enduring presence in the indie rock world. Building upon Malkmus’s influential legacy with Pavement, The Jicks have carved out their own distinct sound through a consistent output of well-regarded albums, dynamic live performances, and a willingness to explore diverse musical territories. Their stylistic evolution, incorporating elements of psychedelic rock, jam band aesthetics, and even electronic music, demonstrates a commitment to creative growth and experimentation. The band’s longevity, now exceeding that of Pavement, underscores the importance of this project in Malkmus’s career. Through their consistent touring and the continued release of compelling music, Stephen Malkmus and the Jicks have solidified their place as a cornerstone of the indie rock scene, maintaining a dedicated fanbase and influencing subsequent generations of musicians.

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